Ceramics


𝘚̶𝘢̶𝘷̶𝘦̶ ̶𝘵̶𝘩̶𝘦̶ ̶𝘋̶𝘢̶𝘵̶𝘦̶!̶

Intimacy of Mimesis

in this space where thought dances with clay. the choreography of thought, to touch, to clay, and then to more clay. this unknown space of creation where thought
u
n
r
a
v
e
l
s,
TRANSFORMS,
and b e c o m e s.. .. … .

~ the vulnerability of the unknown resolving itself as clay walls stack taller;
this is where the intimacy of mimesis lies.

Oceanscape

In the depths of my grief
When the awareness seeps the shore
And in this space between shore and land
It dawns in me that a reality without you exists
And I flood in denial all over again.

Iridescent Dream

Metamorphosis

Metamorphosis shows the evolution of clay when pushed to its limits. This body of work explores form through experimental glazes that evoke a non-traditional use of the medium.

Metamorphosis presents itself as a self-portrait. It took me a long time to grow comfortable in my own skin and identity. This work is just that. After many experimentations, Metamorphosis found a way to grow comfortable in my own body of work; finding a home within the limits of its materiality to stand stable, unique and confident.

A Month of Grieving Underwater, (revised).

Temmoku Exploration

Solemn Melancholy

Deconstructed Decay

A series of vessels called “Deconstructed Decay” meant to symbolize death. I am mechanized to perfect. But what if like fire my decay obstructed beauty? I threw these vessels and then attempted to neatly deconstruct them after. Like fire, this notion of death also embodies the rebirth of a new life. Like shards of burnt paper, like firing in pottery, my vessels, broken and deconstructed, show how the death of perfectionism, of symmetry, of function, can perhaps invoke a new interpretation to life.

A Month of Grieving Underwater

This series was first inspired by a snorkeling trip that I had a week into the start of school. I was joined with my best-friend’s mom who’s mother had just come out of surgery. I remember comforting her, telling her that all this beauty and life surrounding us while out in the sea, a world that’s so out of our touch exists, that she shouldn’t feel guilty for being present and here with us. A week later, her mother died. At times when grieving seems so out of touch because its new, comforting a best-friend while they’re grieving is also new. With pottery as well comes a process of waiting. A month of creating and taking care of vessels that are meant to represent ‘life’ to me when grief was in the picture. Nurturing yet humbling, deceiving yet devastatingly grounding… but I guess this month was a glimpse of connecting with nature, being humbled by it, shocked by it’s cruelty, but also coping, coping by creating, coping even when grief manages to find a way to show up in my works.

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Sculpture